SHROUD OF TURIN
PROPHETIC PATTERN OF
THE CRUCIFIXION
‘After the
Sabbath, at dawn on the 1st Day of the week, Mary Magdalene
and the other Mary went to see the tomb. Suddenly there was a
great earthquake, for an Angel of the LORD descended from
Heaven, rolled away the stone, and sat on it. His appearance
was like lightning, and his clothing white as snow’...
-Matthew 28: 1-3
The purpose
of this study is to suggest that there appears to be some
mathematical relationships incorporated in the famous Shroud of
Turin that may not have been considered up to now. This Shroud
is believed by many to be the authentic relic of the impression
of the crucified body of Jesus Christ. This piece of evidence is
probably one of the most studied artifacts in history that
specifically has been subjected to the Scientific Method and
investigation as no other. Although there have been 1000s of
hours of study, research and analysis by professional
scientists, this study proposes only to add to what is already a
mountain of evidence and conjecture about it. One such
observation has to do with the location of the puncture wound to
the side of Jesus’ body as impressed on the Shroud of Turin,
which one believes is the body of Jesus.
The side
wound appears to be astonishingly in Phi Ratio to the entire
body of the tortured and crucified man. This study suggests that
an approximate Phi Ratio proportion also has a direct
correlation to the blood stain on the Ark of the Covenant. In an
anthropomorphic sense, the supposed discovery of the Ark of the
Covenant by the late Ron Wyatt had the Blood splattered from the
Cross of Calvary in the same area mathematically; that is in
approximate Phi Ratio also. It is believed by Ron Wyatt that the
Crucifixion Site was between the Skull Façade and the Garden
Tomb. Thus, 40 feet below was a cave in which the main Temple
Furnishings were hidden away just before the Babylonian
Destruction of the 1st Temple and the Captivity of the Jews.
It is
conjectured that the Earthquake that ensued during the
Crucifixion of Jesus, split the bedrock and created a crevasse
in which the blood of Jesus Christ flowed down to an exposed
encasing or lid that secured the Ark of the Covenant. The
earthquake apparently removed enough of the stone lid to expose
the Mercy Seat. This amazing sequence would follow the Priestly
Protocol in which the Blood of Christ was physically applied as
it would have been when the High Priest would enter through the
Curtain and apply the blood. In this case, Jesus did it. This
‘picture’ is consistent with the theological notion of the
current Prophetic Office that Jesus is ministering. Jesus was at
that Time and in His 1st Coming, that of Messiah-ben-Joseph, as
a Prophet. After the Resurrection, Jesus is currently in Heaven,
alive interceding for His Bride before the true Ark of the
Convent. It is where He presented His own Blood for the
Atonement.
Phi Ratio Template
Jesus is to return as promised in the Upper Room discourse,
that He would not Drink of the Fruit of the New Wine until the
Kingdom. It is theologically understood that Jesus, at His
return, will fulfill the 3rd Prophetic Office, that of
Messiah-ben-David. Jesus will return, not as a ‘Lamb’
slaughtered and crowned with thorns and pierced through, but as
the conquering ‘Lion of Judah’ that defeated Sin, Satan and
Death. Jesus at that time will restore Adam’s Dominion over the
Earth and Humanity, in Holiness and Righteousness. It was then
at the spot of the Crucifixion Site of the Messiah that the
personages were replaced, that is Isaac. It could have, perhaps,
been the very spot in which Abraham, as the Father was put to
the Test, in sacrificing his only Son, Isaac. If true, this
incredible piece of evidence, the Shroud of Turin may have
depicted the literal fulfillment of the Crucifixion, Burial
Place and Resurrection. And that all have an apparent
Mathematical Element of the Phi Ratio incorporated with them.
Why the Phi Ratio? This Phi Ratio appears to be a ‘Divine
Template’ of not only Creation as seen in many aspects,
physically such as in flowers, and eclipse cycles but in
mathematics and perhaps prophetic times and events. Thus, this
study suggests that perhaps the very wounds of Christ Jesus, as
impressed in the Shroud of Turin are in approximate Phi Ratio
also. This study also suggests that there appears to be a Phi
Ratio Relationship at play as in the case, of even where the
Blood of Christ was applied to the area of the Mercy Seat of the
Ark of the Covenant and where Jesus was Pierced with the Roman
Spear. The other Phi Ratio correlation has to do where the body
of Christ was but to rest in the Garden Tomb. The Garden Tomb
has a corresponding Phi Ratio proportion inside. The phi ratio
will be illustrated in the charts using the Phi Ratio spiral
depiction for a more visual effect. The Phi Ratio can also
extend into other dimensional aspects, possibly and not only
limited to a 2-and-3-dimensional construct.
Perhaps such
a mathematical template produces a Vortex or Portal that could
serve as a key to unlocking such dimensions, a Stargate. For
example, the place where the body of Jesus Christ was laid to
rest was at the approximated Vortex of the Phi Ratio Spiral,
given the layout of the entire Garden Tomb. It was from that
point of origin that Jesus resurrected from, physically. This is
assuming the layout of the Garden Tomb was and is the actual
place of the burial of Jesus Christ after the Crucifixion, which
one believes it is. The other Phi Ratio correlation has to do
with the very chambers of the Garden Tomb itself. What this
study suggests is that the Garden Tomb approximates the
dimensional sections of the Tabernacle and Temples of Jehovah.
The Garden
Tomb has 2 main chambers, much like the Divine Template of a
Holies and a Holy of Holies. The place where Jesus was laid,
corresponds to the Holy of Holies and as if He was the archetype
of the very Ark of the Covenant, which theologically is the
case. The debate, however, remains as to whether this male body
impressed on the Shroud of Turin is that of the crucified Jesus
Christ. Many Scientists that had direct access to it are
convinced that it is. The impressions of the Shroud do,
nonetheless, fit all the criteria of the Gospel accounts. The
Blood on the head appears consistent with having a round Crown
of Thorns as the Blood suggests such a pattern. The Shroud does
appear to match all the 5 puncture wounds of Jesus.
Stripes of Christ – Afikomen
In essence, it was a tortured body full of flagellations
that for the most part, most men would not have survived due to
the shock on the body, loss of consciousness and Blood. The
face, the eyes, forehead, cheeks of the crucified and tortured
man of the Shroud of Turin are all swollen from the torture of
the beatings and the flogging that the Shroud records from the
body. The whole Body is lacerated in stripes by the flogging
that is consistent with the 3-pronged Flagellum of the ancient
Romans. These literal and physical markings prophetically
fulfilled what was to occur to Christ’s body, being the
Afikomen. This is a piece of Unleavened Bread that is ‘striped’.
It is wrapped in a ‘Shroud’ or Napkin and hidden or ‘buried’
during Passover. The Jews then must ‘find’ it and there is much
rejoicing when it is discovered.
Jesus was and is the ‘Afikomen’, whose Body was lacerated by the
stripes of the torture received at the hands of the Gentile
Romans that mocked Him as the ‘King of the Jews’. Yet no bone
was broken as the 2 other men on the crosses had their Legs
broken to speed-up their death due to the Passover being the
Preparation Day where no man could be left to die on ‘trees’.
Jesus, like the Afikomen was wrapped in the Shroud, the Shroud
of Turin? He was then ‘hidden’ or buried in the Garden Tomb. Due
to Israel’s national rejection of Jesus as their Messiah, there
is in part, a partial blindness came upon the Jews as a
judgment. However, the Gospel has resonated from the Light given
to the Gentiles to even have the Jews be provoked to jealousy.
And whenever a Jehovah-Fearing Jew looks to Jesus, lifted-up as
the Bronze Serpent that Moses made, the ‘Scales’ fall off and
they are ‘healed’, as they search and find the Afikomen, Jesus.
There is much rejoicing when a true Jew finds Jesus as the
Messiah that was buried in the Earth. Interestingly also is the
notion that as the Blood of Christ flowed down the crevasse, it
also thus healed the Earth of the same Curse. Jesus was the Lamb
of Jehovah, slaughtered as in the Afikomen of the Passover. Such
verses in Isaiah 53:5 foretold that the Messiah would be so
composed of ‘stripes’ that He would no longer be recognized as a
Human. It was His physical body that would ‘heal’ those that
would put their Faith in the finished work of the
substitutionary Sacrifice of the last Adam as promised to Eve
and Abraham. Jesus was that lamb who took Isaac’s place,
literally on the ‘Altar’ of the Cross of Calvary to atone for
Adam’s sin.
The wound on
Jesus’ Side that went through the heart produced the greatest
amount of Blood. And the water mixed with Blood matches the
account of how a Roman spear was used to ensure Jesus was
‘dead’. Then, the nailing of Jesus’ Hands was not through the
palms of the hands as that would have torn the flesh, and the
body would have fallen-off the Cross. The blood-flow down the
arms suggests more of a ‘V’ type of nailing of the arms and
hands on the Cross and not in a traditional rendering as
paintings do with a nearly horizontal extension of the arms,
etc. There are also the foot wounds of the nailed feet. It is
not sure if it was a single nail going through the 2 feet or if
each foot had a separate nailing. So, why was the body of Jesus
so unique? Jesus has a Hypostatic Union, meaning that in 1 body,
in 1 person there were 2 natures, that of the Son of GOD or GOD
the Son fully intact, yet encased in a body of earthly flesh and
100% fully human, the Last Adam, genetically.
Divine
Receipt
This amazing
and singular union is believed to be the only of its kind and
not a Hybridization, as with Fallen Angels like in Enoch’s Time
of Genesis. Theologically, the Shroud of Turin, if it is the
actual supernatural impression of the body of Jesus Christ, is
thus a form of a Divine ‘Receipt’. It is as though the Shroud is
a ‘physical printout’ of the Crucifixion event as physical
evidence to be had. It serves as a Sign and Prophetic Credential
that Jesus was the Messiah, the Christ as He foretold would
happen based on the Sign of Jonah. This study also suggests that
in keeping with the Phi Ratio template of the various variables
surrounding the Shroud of Turin which are the Crucifixion Site,
the Burial in the Garden Tomb, the Ark of the Covenant, so is
the Great Tetragrammaton Name of Y-H-V-H proportioned in Phi
Ratio as well.
If one places
the 4 Hebrew Letters Y-H-V-H vertically, the proportion appears
to outline the proportions of the human body, as if it were
anthropomorphic. As to Jesus’ Crucifixion, a wording was also
placed to denote the Capital Offense of the crucified one. In
this case it was ‘Jesus, the King of the Jews’. Regarding Jesus’
Capital Offense, being the ‘King of the Jews’, the Pharisees
protested that it should have read, ‘He claims to be’...etc. The
Religious Leaders of the Jews knew and know the Secret
Luciferian Magic Arts of the Kabbalah. They easily deciphered
the first 4 Hebrew letters of the Sign corresponding to Jesus.
They objected because it was the Acronym of the Tetragrammaton,
the Sacred Name, Y-H-V-H; the ‘Unspoken Name’ of the Creator.
Tetragrammaton
י ה ו ה
Behold
Nail Behold Hand
Tav – Alef on the Cross, Adonai
ישועה
הנצרה
והמלך היהודים
The Jews
And King
The Nazarene Yeshua
HaYehudim
V'Melech
HaNotsri
Yeshua
These 4
Hebrew letters that make-up this word are said to encompass the
essence and attribute of the Creator, YHVH. It is even
sounded-off with each breath one takes. And it is encoded in
every DNA helix in the human body. Thus, the very pictorial
rendition, when incorporated in an anthropomorphic depiction
shows that YHVH, the ‘Unspoken Name’ of the Creator as noted
indicated Jesus, ‘Offence’. In fact, it was for this reason that
the Religious Jews condemned Him to Death.
So, the very coded lettering of the Crucifixion Sign of Jesus
was also like the Shroud, a type of Prophetic ‘Receipt’ to
Humanity and for Humanity. In the Ancient Paleo-Hebrew, the
letters of Y-H-V-H stood for ‘Behold, Nail, Behold Hand’. Many
Theologians argue that the pictorial significance foreshadowed
the Crucifixion of Jesus Christ as the LORD Crucified; that of
GOD the Son in the flesh as a Human. Nonetheless the Shroud made
its way to the Church in Turin, Italy from Israel.
Interestingly, pollen found on the Shroud are consistent with
those in Israel that only blossom during Passover.
Blood of
the Covenant
The Shroud,
at one point, was almost destroyed as a fire broke out in 1532
and in 1997. The burn-marks are very prominent and some
scientists that carbon dated the Shroud erroneously used an
interwoven corner portion of a re-threading restoration.
Although the Shroud was supposedly carbon-dated, it was assumed
to be not of the 1st century. Critics of the dating method argue
that the corner of the Shroud from where the pieces were
rendered were in fact an interwoven repair-work of the Middle
Ages. One could have used the carbon of the portion of the
Shroud that was burned just as much.
The error of the scientific team was later corroborated by the
subsequent testing of the official carbon dater, before he
passed away. He in fact had access to the original pieces
obtained and what was used to re-sampled. Scientists, to this
day also cannot explain the properties of the Blood and cannot
explain other anomalies associated with the Shroud. What is
astonishing is the anomaly, that it is still red in color. Then
there is the correlation of the Blood from the body of the man
of the Shroud of Turin, with that of the Blood on the Mercy
Seat, of the purported discovered Ark of the Covenant as
allegedly Ron Wyatt. In his extraordinary claim, Wyatt touched
the Ark of the Covenant and took a sample of the Blood from the
top left corner of the Mercy Seat.
Ron Wyatt had the Blood he retrieved sampled in Israel by Jewish
scientists and the Blood sample of the Ark of the Covenant was
determined to be that of a ‘Virgin Birth’. This means that the
Blood Type had only 23 XX Female Chromosomes and only 1 Y Male
Chromosome. Moreover, Jesus often spoke about Himself in
metaphorical terms, of how His body was likened to the Temple
and a kernel of Wheat that had to die and be buried in the
Ground to bring forth Life, Eternal Life, etc. Theologically,
the Ark of the Covenant is likened to Jesus’ Mission and
Ministry. Jesus kept the Law. Jesus is the Manna. Jesus is the
Staff that budded.
Metaphorically, but also literally, the Ark of the Covenant is
the depiction of this ‘kernel’ in one sense just as Jesus’
literal body was also buried in the Earth as the ‘kernel’ of
Wheat. What is unique about the scene, after the Resurrection of
Jesus, according to the Gospels is that various Angels were
involved. A pair manifested themselves in the Garden Tomb as the
women came to prepare the body after Passover that Sunday after
the Weekly Sabbath. Passover, in the ‘Midst of the Week’ was on
a Wednesday and thus a High-Day Sabbath. In haste, the body was
‘buried’ without preparations.
Theologically,
the pair of Angels flanked the body of Jesus. as they are
depicted on either side of the Ark of the Covenant. The 2 Angels
holding the Mercy Seat are facsimiles of the Throne Chair of
Heaven. When did Jesus rise from the dead? It was Saturday and
the Day of Rest, the Sabbath that Jesus arose, one alternatively
calculates. It was exactly 3 days of 24 hours from the ‘Midst of
the Week’, Wednesday. The Angels proclaimed that Jesus would
return one Day. Jesus is currently functioning as the High
Priest in Heaven. Another anomaly is the 3-dimensional aspect
that the Shroud impression produces. With new modern technology,
the topography of the Shroud of Turin has been mapped-out,
extensively with state-of-the-art software. It has been found
that amazingly, the Image on the Shroud has a 3-Dimensional
depiction.
Face of
GOD
There is no
other image like the one found in the Shroud of Turin known to
history or science. What has been shown from a frontal view,
given the pictures of the Shroud façade itself, is that many
have attempted to reconstruct the visual appearance of the man’s
face. Some have rendered it, more towards the classic depiction
of famous paintings that show a more ‘effeminate’ Jesus. In
2003, a remarkable young girl named Akiane Kramarik, with an
obvious gift for painting depicted Jesus in the now famous
Painting, ‘The Prince of Peace’ portrait. Based on her
Testimony, the depictions have been what has been revealed to
her by this presumed ‘Jesus’ of the Bible.
Since then,
many have superimposed her visage of Jesus onto the face of the
man of the Shroud of Turin and it does have a striking
similarity, more so than any other to date and/or attempt. What
this study also suggests is that the same Artist, Akiane painted
a subsequent portrait, the following year in 2004 of Jesus,
entitled ‘Father Forgive Them’. This painting has the side
profile of Jesus, according to the revelation of what Jesus
looked like to this gifted girl. Then, there exists the Modern
topographical software that can rotate the axis in any degree of
rotation, of any 3-dimensional image.
Then the
aspect of the man of the Shroud has been digitized as it is a
3-dimensional holograph itself. With such technologies now, the
computers can 3-dimensionalize the entire man on the Shroud of
Turin. Such renditions were acquired in which the side profile
of the man on the Shroud have been procured by scientists, etc.
Astonishingly, the side view of the artwork by Akiane Kramarik
has a sticking correspondence to the 3-dimensional portrait of
the man impressed on the Shroud of Turin. This study strongly
suggests that although circumstantially, the matching of the
Face contours, the brow, the nose bridge, and the forehead,
eyes, cheek and mouth formation appear to match 100%.
Another
anomaly has to do with the ‘negative’ photographic aspect of the
Shroud of Turin. Based on all the evidence analyzed and
scrutinized thus far, it appears that the photographic effect of
the image imprinted on the Shroud is a ‘Reverse Negative’.
Another anomaly is that the image is said to only be impressed
on the top layers of the Shroud Fibers and conclusively not
Painted all the way through the fabric as so many alleged
throughout the centuries. Moreover, what is also an anomaly is
that the exposure has been determined to only have been possible
with a light source coming from inside of the body, in the
Spectrum of the Visible Light at an intense frequency.
Some have
calculated that the impression left on the Shroud and in
negative aspects would and could have required a ’Flash’ of
Light so powerful that it can only be matched by a ‘Flash’ of an
Atomic Blast going off. It is estimated that it would have
required 34 trillion Watts of light emitted in a split-second,
from the body inside of the Shroud. What is amazing is that the
Light exposure is a uniform exposure, front and back -at the
same time. It means that the Body had to be suspended. Thus, did
the Shroud of Turin record the moment Jesus Christ resurrected
and His body transformed into pure light and energy? The Apostle
teaches that this also will happen at the point of the
Resurrection and the Rapture when the bodies of the Believers in
Jesus will be metamorphosized.
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