I don't mean to nit pick (I
believe my Bible and know there were giants on the earth in those
days.), but including Jonathan Swift's
Gulliver's Travels as background or evidence is just plain WRONG!
Jonathan Swift was a distinguished Anglican clergyman. He was also a brilliant writer, commentator and satirist. Gulliver's Travels is political satire! I'm enclosing some WIKIPEDIA quotes to establish this.
This book of the Travels is a topical political satire.
This
book compares the truly moral man to the representative man; the latter
is clearly shown to be the lesser of the two. Swift, being in Anglican
holy orders, was keen to make such comparisons.
Gulliver
tours Laputa as the guest of a low-ranking courtier and sees the ruin
brought about by the blind pursuit of science without practical results,
in a satire on bureaucracy and on theRoyal Society and
its experiments. At the Grand Academy of Lagado, great resources and
manpower are employed on researching completely preposterous schemes
such as extracting sunbeams from cucumbers, softening marble for use in
pillows, learning how to mix paint by smell, and uncovering political
conspiracies by examining the excrement of suspicious persons (see muckraking). COMMENT: Sound familiar?
By August 1725 the book was complete; and as Gulliver's Travels was a transparently anti-Whig satire,
it is likely that Swift had the manuscript copied so that his
handwriting could not be used as evidence if a prosecution should arise,
as had happened in the case of some of his Irish pamphlets(the Drapier's Letters).
The
short (five paragraph) episode in Part III, telling of the rebellion of
the surface city of Lindalino against the flying island of Laputa, was
an obvious allegory to the affair ofDrapier's Letters of
which Swift was proud. Lindalino represented Dublin and the impositions
of Laputa represented the British imposition of William Wood's poor-quality copper currency.
Gulliver's Travels has been the recipient of several designations: from Menippean satire to a children's story, from proto-Science Fiction to a forerunner of the modern novel.
Published seven years after Daniel Defoe's wildly successful Robinson Crusoe, GulliverA
possible reason for the book's classic status is that it can be seen as
many things to many different people. Broadly, the book has three
themes: - A satirical view of the state of European government, and of petty differences between religions
- An inquiry into whether men are inherently corrupt or whether they become corrupted
- A restatement of the older "ancients versus moderns" controversy previously addressed by Swift in The Battle of the Books
's Travels may be read as a systematic rebuttal of Defoe's optimistic account of human capability. In The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man, Warren Montag argues
that Swift was concerned to refute the notion that the individual
precedes society, as Defoe's novel seems to suggest. Swift regarded such
thought as a dangerous endorsement of Thomas Hobbes'
radical political philosophy and for this reason Gulliver repeatedly
encounters established societies rather than desolate islands.
Scholar
Allan Bloom points out that Swift's critique of science (the
experiments of Laputa) is the first such questioning by a modern liberal
democrat of the effects and cost on a society which embraces and
celebrates policies pursuing scientific progress.[12]
Maranatha,
Bob