1 Cor 10:31 (12 Apr 2020)
"UP FROM THE GRAVE HE AROSE!!!!"


Now & then I like to dig into the history of the very rich hymns which I’m old enough to remember and enjoyably participated in singing back at the “little brown church in the dell” where I grew up!   😊

 

This was my favorite hymn to sing during Easter – LOVED the way it built.  And as a 9 – 10 year old kid, I loved to PUNCUATE each word!! “Up from the grave He arose”!!

 

 

History of Hymns: Nineteenth-century hymn celebrates the resurrection

“Up from the Grave He Arose”
Robert Lowry

Low in the grave he lay,
Jesus my Savior,
waiting the coming day,
Jesus my Lord!

Up from the grave he arose
with a mighty triumph o’er his foes;
he arose a victor from the dark domain,
and he lives forever with his saints to reign.
He arose! Hallelujah! Christ arose!

Robert Lowry

Robert Lowry (1826-1899), the Philadelphia-born author and composer of this hymn, was a popular Baptist preacher and educator who served churches in Pennsylvania, New York City and Plainfield, N.J.

Lowry studied theology at the University of Lewisburg (now Bucknell University), graduating in 1854 and teaching literature there from 1869-1875. He became known for his gospel songs while ministering in Brooklyn, collaborating often with William H. Doane in producing gospel song collections.

Among his most famous gospel compositions are “Nothing but the Blood of Jesus” (UM Hymnal, No. 362) and “Shall We Gather at the River” (No. 723). He also composed tunes for other’s texts, such as MARCHING TO ZION, a camp meeting version of Isaac Watts’ text, “Come, We that Love the Lord,” and NEED, a tune for Annie Hawks’ hymn, “I Need Thee Every Hour.”

 

 

MORE:   https://www.umcdiscipleship.org/resources/history-of-hymns-nineteenth-century-hymn-celebrates-the-resurrection

 

The centerpiece of the song is the textual and musical contrast between the stanzas and the refrain. The dirge-like stanzas in block chords with a melody that plods in a step-wise fashion give way to a rhythmic refrain that surges up like a trumpet blast. Like many gospel songs, the three stanzas basically say the same thing three different ways. Each stanza ends with “Jesus my Lord!”—reminiscent of the early Christian affirmation “Jesus is Lord.” (Romans 10:9-13)

Within the Western 19th-century gospel sound, the music of this song captures perfectly the spirit of the transition from Good Friday to Easter Sunday.

https://www.hymnal.net/en/hymn/h/123

Another classic “Easter” hymn (you might remember!)  https://www.hymnal.net/en/hymn/h/117

One more:  https://hymnary.org/text/we_praise_thee_o_god_for_the_son_of

Ephesians 5:19  Speaking to one another in psalms and hymns and spiritual songs, singing and psalming with your heart to the Lord.